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Concept projectSample work — not a real client. This shows what we’d create for a business like this one.

Interior design · Cheltenham, Gloucestershire

A finished room is a portfolio piece. If anyone sees it.

A Cheltenham townhouse reworked room by room — the kind of finished interior that wins the next client, if it's presented as carefully as it was designed. We built the portfolio piece, the social set and a site to hold them.

01 Identity

Maeve Clarke
Interiors

Considered · Cheltenham

AaMarcellus — display
AaJost — labels & body

02 Instagram carousel

03 Website hero

maeveclarke.co.uk

Maeve Clarke

Interior design · Cheltenham & the Cotswolds

Interiors for homes with good bones.

Considered, liveable rooms for period properties. A small studio with a long eye for detail and a portfolio worth taking your time over.

View the work

04 Profile & setup

instagram.com/maeveclarkeinteriors

Maeve Clarke Interiors

  • 48 posts
  • 3,210 followers
  • 180 following

Considered, liveable interiors for period homes.
Cheltenham & the Cotswolds · By appointment
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The project

Maeve Clarke reworked the ground floor of a Regency townhouse in Cheltenham — a knocked-through living and dining space, bespoke joinery, a restrained palette and the kind of styling that looks effortless and absolutely isn't. The result was magazine-ready. The presentation of it wasn't.

The problem

For an interior designer, the finished room is the sales pitch. But beautiful work shot on a phone, posted once and never written up, doesn't do the job — it has to be presented with the same care as the design itself. Maeve's portfolio lived in her head and her camera roll, not anywhere a prospective client could find and fall for it.

What we did

We took her project photos and the thinking behind the scheme, and turned it into a properly presented body of work — the thing a high-end client needs to see before they trust someone with their home.

  • A written case study — the design story, not just the photos, framed to win considered clients
  • A curated social set in her brand, built to look intentional on the grid, not scattered
  • A portfolio site that holds the work the way a gallery holds a painting
  • Profiles tidied and set up so every place a client lands says the same, consistent thing

Sample — the case study opening

A good room doesn't shout. Neither does a good designer. The trouble is, quiet work needs to be presented loudly enough to be found.

When a Cheltenham couple asked Maeve Clarke to rework their ground floor, the brief was "calm, warm, grown-up." What they got was a space that looks like it was always meant to be that way — which is the hardest thing in interiors to pull off, and the easiest to scroll past if it isn't presented properly.

Sample — social captions

Carousel cover: The brief was one word: calm. Here's what calm looks like when it's designed properly.

Slide 2: We kept the palette to three tones and let the light do the rest.

Slide 3: The detail most people miss — and the reason the room feels finished, not staged.

Closing slide: Planning a room that finally feels like yours? That's the work we love. → Enquiries open.

Sample — website intro line

Maeve Clarke Interiors — considered, liveable interiors for period homes across the Cotswolds. A small studio, a long eye for detail, and a portfolio worth taking your time over.

Why it works

High-end interiors are sold on taste and trust, and both are communicated through presentation. A designer's content has to be as considered as their rooms — anything less undercuts the work. One project, presented properly, becomes the reason the next client picks up the phone.

Maeve Clarke Interiors is a concept project created to show how we'd present a real interior designer's work to win considered clients.

This is what we’d do with your work.

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